Another of Hornsby's decisions broke his own performing career open but might be said to have had a devastating effect on instrumental music, at least as it is perceived in the music business. Obviously there have been instrumental hits since Hornsby's heyday as a talent scout. Yet the actions he took regarding the ensemble of fiddler Jess Young would certainly strike a nerve with any instrumental bandleader who has been pressured to add a vocalist. Young fronted a trio that was actually one of the first Southern string bands allowed an opportunity to record -- and it was Hornsby who made sure what was released would not actually represent the music the group played. The young A&R man simply had a hunch the sides would sell like hotcakes rather than curiosity pieces if there were singing. So far, a typical A&R decision. But it is not every record company executive or producer who would go ahead and sing the vocals himself.
That was the nervy shot Hornsby gave himself, and it worked. The record combining the string band and vocals -- Bill Bailey with Are You from Dixie? on the flip -- had already sold 30,000 copies when Columbia gave Hornsby the nod to bring the combination back into the studio. There is no need to speculate about whether Hornsby was happy with these developments: as a performer, he became known as Cheerful Dan Hornsby. His repertoire could easily earn him the additional nickname of "cornsby." Ditties such as Oh Susanna and Little Liza Jane can be found in his discography, credited to both his trio and the Dan Hornsby Novelty Quartet. He later became associated with Atlanta's WSB radio and was inducted into that city's Country Music Hall of Fame. ~ Eugene Chadbourne, Rovi