Ever since his death in 1970, Jimi Hendrix has certainly had his share of guitarists who thoroughly studied him -- some would say even copied him -- to a tee. One such gentleman would be Velvert Turner, who fronted the Velvert Turner Group. But there is an interesting reason why Turner resembled the self-proclaimed Voodoo Child -- not only was he supposedly friends with Hendrix, but allegedly, Hendrix took the guitarist under his wing, and taught him quite a few tricks on the six-string.

Born on October 12, 1951 and raised in Brooklyn, NY, Turner befriended Hendrix during the mid- to late '60s -- and Turner would show what Hendrix was teaching him to another guitarist friend of his, future Television member Richard Lloyd. After Hendrix's passing, Turner formed the Velvert Turner Group, with bassist Prescott Niles, keyboardist Christopher Robinson, and drummer Tim McGovern, and in 1972, issued a self-titled debut album. Highly derivative of his mentor -- both musically and even in the song titles, as evidenced by Madonna (Of the Seven Moons), 'Xcuse Me, Gentlemen (The Fall of Atlantis), and {"(Love Rides)...

The Slowly Swirling Seas."} Heck, there was even a cover of a Hendrix tune, Freedom, that closed the album. Although the album didn't set the charts alight, it has become a sought-after cult item amongst Hendrix fanatics over the years.

And that was all that many heard from Velvert, although he did appear on a self-titled release by Arthur Lee in 1977, and in the mid-'80s, was involved in a Jimi Hendrix instructional guitar video, which strangely, only featured Turner narrating it and not showing the viewer the tricks of the trade that Hendrix had taught him (the guitar parts are played by Andy Aledort). Subsequently, the other members of the Velvert Turner Group would reappear in the Knack (Niles), the Motels (McGovern), and the New York Dolls (Robinson).

Sadly, on December 11, 2000, it was reported in the New York Times that Turner had passed away at his Brooklyn home. In the article, fans learned that in recent years Turner had been employed by Samaritan Village in Brooklyn, where he worked with those battling substance addiction. Four years after his passing, a snippet of Turner playing some Hendrixian guitar, titled Going Home, was included on the star-studded tribute, Power of Soul: A Tribute to Jimi Hendrix. In 2009, Turner's old friend, Lloyd, recorded an album of Hendrix covers, titled The Jamie Neverts Story, whose title came from a code name that Turner and Lloyd used for Hendrix, when they would go visit him (to keep their visits "secret" from kids in the neighborhood). The album was also dedicated to Turner, and features altered album covert art based on Turner's Velvert Turner Group from over three decades prior. ~ Greg Prato, Rovi