An expressive jazz vocalist, Karrin Allyson has earned accolades for her lyrical balladry and adept skill at interpreting instrumental jazz songs with her lithe vocalese technique. Emerging in Kansas City in the '90s, Allyson rose to prominence singing standards and bossa nova songs, as well as more contemporary pop covers by artists like Randy Newman, Janis Ian, and James Taylor. Widely recognized as one of the most gifted jazz singers of her generation, she has picked up numerous Grammy nominations, including earning Best Jazz Vocal Album nods for 2001's Ballads: Remembering John Coltrane and 2011's 'Round Midnight.

Born in Great Bend, Kansas, Allyson grew up in Omaha, Nebraska and the San Francisco Bay Area -- during which time she began taking classical piano lessons in addition to performing as a folksinger and in an all-female rock band, Tomboy. Upon graduating from the University of Nebraska in 1987 (and receiving a degree in piano), Allyson sang regularly at her uncle's nightclub in Kansas City, a locale she decided to settle down in and call her permanent home base. Signed to the Concord Jazz label, in 1992 Allyson issued her debut, I Didn't Know About You, which led to such accolades as being name-checked in Playboy's annual readers' poll alongside such greats as Ella Fitzgerald and Shirley Horn. Subsequently, Allyson assembled a fine backing band consisting of fellow Kansas City musicians -- pianist Paul Smith, guitarists Danny Embrey and Rod Fleeman, bassist Bob Bowman, and drummer Todd Strait -- who have played on the majority of her recordings.

Allyson continued issuing albums at a steady pace throughout the remainder of the decade, including such titles as 1993's Sweet Home Cookin' and 1994's Azure-Té, plus a pair in 1996, Collage and Daydream. For her final release of the '90s, 1999's From Paris to Rio, Allyson decided to try something different and issued an album in which she sang lyrics in French and Portuguese, while covering a lot of ground stylistically (everything from a Jacques Brel cover to samba and bossa nova tunes). Allyson's next offering, 2001's Ballads: Remembering John Coltrane, proved to be one of the most acclaimed and successful of her entire career, as it earned a pair of Grammy nominations. For 2002's In Blue, Allyson opted to cover other artists' material (Mose Allison, Joni Mitchell, George and Ira Gershwin, Blossom Dearie, Abbey Lincoln, Oscar Brown, Jr., and Bonnie Raitt), as the singer only penned one of the album's 13 tracks, a path she also followed two years later on Wild for You, which contained her versions of songs from artists she had grown up with, like Cat Stevens, James Taylor, and Mitchell. In 2006 she released Footprints, earning a Grammy nomination for Best Jazz Vocal Album.

Over the years, Allyson has performed at some of the top concert halls in the U.S., including an all-star tribute to Ella Fitzgerald at New York's Carnegie Hall, in addition to playing alongside both the Kansas City and Omaha symphonies. In 2008 Allyson released Imagina: Songs of Brasil, interpreting the songs of Antonio Carlos Jobim, Edú Lobo, Torquato Neto, and Pedro Caetano. She toured the recording for the next year before taking a break. In 2010 she began recording a collection of jazz, pop, and Broadway standards entitled 'Round Midnight, where she cut tunes by everyone from Duke Ellington and Stephen Sondheim to Paul Simon and Bill Evans. The album marked the first time in her recording career that she played all the keyboards on a set. It was issued in 2011 by Concord Jazz. The holiday-themed Yuletide Hideaway followed in 2013. Allyson then joined with pianist Kenny Barron and bassist John Patitucci for 2015's Many a New Day, a collection of Rodgers Hammerstein songs. For her 2019 outing, Shoulder to Shoulder: Centennial Tribute to Women's Suffrage, the singer put together an all-female ensemble to reimagine a group of pre-suffrage songs from the 19th and early 20th century. ~ Scott Yanow & Greg Prato, Rovi