Opal Butterfly's finest recorded hour came in early 1969 with an organ-powered remake of the Who's Mary Anne With the Shaky Hands. The B-side, My Gration Or?, is better yet, boasting enough feedback to stoke the most ardent Creation fanatic. But the song faded after its initial airplay -- and the band couldn't muster more than underground support gigs, so Doherty and King jumped ship. Milne briefly continued with a lineup that also included guitarist Davy O'List, then abandoned it to join the New Look Soul Band. But keeping the name didn't benefit King's lineup, for which Doherty switched to bass, while Ian Lemmy Kilmister -- fresh from his bout with raga-rock in Sam Gopal's Dream -- joined on guitar. The revamped Butterfly also switched labels -- this time to Polydor.
For its final single, Groupie Girl/"&"The Gigging Song," the band turned to homegrown subjects. The A-side snarkily puts down women who pursue bands -- but not the rockers who inspire the chase, of course -- while the flip side looked at life on the road. Groupie Girl jump-started a film of the same name and a radically reworked version of the title track (which doesn't feature all the bandmembers). Lemmy didn't appear on the single or film, having been booted out and replaced by Ray Major. But neither project made any impact, and all the personnel shuffles made little difference if no album deal was imminent, so Opal Butterfly dissolved by the end of 1970. Ironically, Lemmy and King would meet up (and fall out) again in the classic space rock band Hawkwind. Major joined the ill-fated Mott, then worked as a solo artist. ~ Ralph Heibutzki, Rovi