As one of the top dogs in L.A., Wakeman was at the heart of many projects that promoted roots music. His firm but delicate touch was felt on the impressive 1990 L.A. Ya Ya compilation that presented the best of the local R&B scene. He was also instrumental in the success of the A Town South of Bakersfield project, which gleaned three volumes from the Los Angeles country community. Trusted and well-liked by the musicians and industry alike, Wakeman had the confidence and ear of Buck Owens and the respect of Dwight Yoakam, both of whom benefited from his expertise. A contributor to the health of the Bakersfield sound, Dusty Wakeman was responsible for getting the Lonesome Strangers back into the studio after their HighTone deal went south, producing their Land of Opportunity.
As a producer, co-producer and engineer, Wakeman made contributions to Lucinda Williams, all of Dwight Yoakam's recordings and brought to light the talent of a new and successful alternative rock band called Reach Around. Involved with Tom Russell and the Bonedaddys, other clients included Scott Joss, Steve Forbert, Somebody's Darling, Jim Lauderdale, Joy White and Giant Sand. In 1995 he and Dumas relocated their Mad Dog Studios to Burbank, closer to the corporate offices of the record label they helped found, Little Dog Records. Concentrating on the studio, Wakeman, Dumas and Szu Wang, Wakeman's wife, created a multifunctional, multimedia recording studio and sound stage. He also continued to be involved in all of Yoakam's projects. ~ Jana Pendragon, Rovi