Named after a Polish machine manufacturer, Rema-Rema consisted of Michael Mick Allen (bass, vocals), Gary Asquith (guitar, vocals), Mark Cox (keyboards), Marco Pirroni (guitar), and Dorothy Max Prior (drums). Allen and Pirroni previously were in a punk band called Models, who in 1977 released their one and only single on the Step Forward label. A decidedly wayward and unstable by-product, Rema-Rema attracted 4AD co-founder Peter Kent with an early performance and obliged by recording an EP for the label. Wheel in the Roses, a four-song EP of hectoring and inscrutable post-punk, split studio and live recordings co-produced by the band and Wally Brill. By the time the 12" reached shops in April 1980, Rema-Rema had gigged with Cabaret Voltaire, Throbbing Gristle, and the Human League. They had also split, hastened by Adam Ant's acquisition of Pirroni.
Rema-Rema alumni shot off in many directions. Later in 1980, Prior released through Throbbing Gristle's Industrial Records a pop single submitted for Eurovision consideration, and went on to play in a series of bands, including Psychic TV for a short spell. Asquith, Allen, and Cox formed Mass, who released a 1980 single and a 1981 album for 4AD. The latter two musicians went on to establish yet another 4AD act, the Wolfgang Press, and Asquith eventually co-founded Renegade Soundwave. Meanwhile, Rema-Rema were covered multiple times. This Mortal Coil, guided by 4AD co-founder and head Ivo Watts-Russell, reinterpreted "Fond Affections" (with Mark Cox on synthesizer), and Big Black pounded out "Rema-Rema."
Out of print following a 1984 re-press, Wheel in the Roses was issued on compact disc nearly 20 years later in an edition of 1,000 copies. During 2014 and 2015, a pair of singles consisting of previously unreleased material was issued on the Inflammable Material label. Four years later, 4AD released Fond Reflections, an extensive archival anthology guided by Asquith. ~ Andy Kellman, Rovi