The Syndicats were a typical, if decent, group of their genre, distinguished mostly by the virtuosity of Howe, who even as a teenager was an audibly talented instrumentalist. Of the tracks they cut with Meek, their cover of Howlin' Wolf's Howlin' for My Baby, with pounding piano and a revved-up British beat treatment, is a standout. So is Crawdaddy Simone, the B-side of their cover of Ben E. King's soul ballad On the Horizon, with one of the most genuinely far-out screeching British Invasion solos this side of Pete Townshend. A fine R&B-beat raver on its own terms, it really took off with the madly bashing instrumental break, with furiously wah-wahing lead guitar. On the fadeout uncategorizable, fiercely electronic ascensions and descensions of near-white-noise were produced by running a comb up and down the strings. Howe, however, doesn't remember playing on it; it's unclear who the guitarist is, but it might have been his replacement, Ray Fenwick.
The Syndicats didn't release anything else after Crawdaddy Simone, although its A-side, On the Horizon, almost made the charts. They did some sessions for Meek after Howe's departure, but these were not released. They continued live for a while, sounding like Crawdaddy Simone gone ska," according to their drummer of the time, Paul Holm (as quoted in an interview with the fanzine -Ugly Things). There is an unreleased acetate demo from 1966 with three songs featuring as many lead vocalists; they split up shortly afterward. Seven Syndicats tracks featuring Steve Howe -- both sides of their first two singles, On the Horizon, and an unreleased single rejected by EMI -- appear on Howe's CD Mothballs, a compilation of various '60s tracks on which Howe played prior to Yes. Crawdaddy Simone, alas, is missing, but it's been reissued on several compilations of British Invasion/freakbeat rarities. ~ Richie Unterberger, Rovi