Morr aka Coolidge grew up in a Midwest musical family and had vocal talent as well as abilities as both a percussionist and brass player. Chicago bandleader Henry Busse featured Morr's singing on a colorful 78 recording of Rainbow 'Round the Moon in the early '30s. Morr was freshly graduated from Northwestern University during this period, and was also working in the groups of Ted Weems and Bill Hogan.
After relocating to the West Coast, the trombonist was in several top big bands led by the likes of Artie Shaw and Charlie Barnet; reissues from this period make up a large slab of the existing Morr discography, especially the Barnet band. The origin of his nickname may have something to do with his sporadic school attendance, a detail shrouded in the obscurity of his fairly low-key career. Big bands also indulged in catchy stage names for featured singers, although more often in the case of the female species. Discographer Tom Lord is one jazz scholar who became literally Morr confused as a result of the name change, creating three separate entries for Skip Morr, Charles Coolidge, and Chuck Coolidge. All are the same person. ~ Eugene Chadbourne, Rovi