Singer, songwriter, and guitarist Lee Mallory might be best known as a member of the Millennium, the late-'60s sunshine pop group that garnered a sizable cult following with their sole album. Mallory wrote or co-wrote some of the material for the elaborately produced band, which crossed the sound of the 1966-1967 Beach Boys with more pop-oriented Southern California harmony pop. On the Millennium's Begin album, Mallory was the sole writer of the tracks I'm with You, Sing to Me, and Some Sunny Day, co-authoring some of the other tunes as well.

Mallory also did a couple of singles under his own name for Valiant Records in 1966-1967. The most successful of these, That's the Way It's Gonna Be, reached number 86 and was a big hit in Seattle. It was also the most notable of his recording efforts, with a buoyant yet complex production heavy on producer Curt Boettcher's trademark high vocal-harmony arrangements. Surprisingly, this was a cover of a song written by Phil Ochs and folk musician Bob Gibson (and appears in a folk version on Ochs' The Broadside Tapes 1 album), though its folk roots were pretty unrecognizable by the time Mallory and Boettcher had made it over into a densely produced pop/rock single. Mallory had in fact been a folk musician in the early and mid-'60s, though he went in a very pop direction after hooking up with Boettcher. Mallory also contributed to various other Boettcher-associated groups, including the Ballroom, Summer's Children, and Sagittarius.

Mallory did quite a bit of recording in the 1960s that was never issued at the time. Twenty of his 1966-1970 demos appear on the CD That's the Way It's Gonna Be, comprised primarily of his own compositions. These form a worthwhile adjunct to his better-known work with the Millennium, sometimes with a harder-rocking current than flows through the Millennium's material. ~ Richie Unterberger, Rovi