A lover of the Old West and its mythos from childhood, Johnny Western was one of the finest and most impassioned exponents of cowboy songs; a successor to both Gene Autry and Marty Robbins whose career paved the way for the work of Michael Martin Murphey, Ian Tyson, and the Riders In the Sky, all of whom owed him a debt for carrying cowboy music into and beyond the 1960s. He was born in Twin Harbors, MN, on October 28, 1934, and raised at various Civilian Conservation Corps camps (where his father was an officer and instructor) and Indian reservations along the Canadian border. The turning point in his life came on his fifth birthday, when his parents took him to see a 1936 Western called #Guns and Guitars starring Gene Autry; Johnny knew then and there that he wanted to be exactly like the man on the horse, strumming a guitar and singing a song.

For his 12th birthday, Western was given a guitar; hardly a year had gone by when he was invited to turn professional. He'd been recorded at the local 4-H Club singing Gene Autry's Riding Down the Canyon and other songs, which resulted in an invitation to join a collegiate singing trio. He mostly played rhythm guitar, but also got to sing, and when the group recorded an audition tape for KDHL in Faribault, MN, Johnny was asked to sing one solo number. He chose (Ghost) Riders in the Sky, and ended up getting a weekly radio spot, which then became three days a week, and finally six days each week. In addition to singing, he acted as a DJ and host, introducing live and recorded country Western music. He also earned a mention in Billboard magazine as the youngest DJ and singer on American radio. By the age of 16, he was playing on bills with his one-time idols the Sons of the Pioneers.

Soon after graduation, he made the jump from radio to television, becoming a singing cowboy on KMMT-TV, and landed a recording contract with a small Minnesota-based record label called JOCO. He and his fellow guitarist John Fields cut a handful of singles, including The Violet the Rose and Let Old Mother Nature Have Her Way, which received good airplay locally and in Iowa, Wisconsin, and the Dakotas. Johnny Western's television show, which allowed him to sing to his young audience before introducing the day's Western movie, lasted for two years. During this period, he got to play concerts with Western stars such as Rex Allen and Tex Ritter, and had them as guests on his show. In 1954, however, he gave up the program, heading for Hollywood to pursue his real goal to be a movie cowboy.

This was the hardest jump of all, because they weren't making many Westerns in Hollywood anymore, or looking for singing cowboys. It was years before he got to work in front of a movie camera; in the meantime, he earned a place in Gene Autry's band, replacing Johnny Bond as a guitarist and singer. After Autry retired from performing, Western did a pilot for a series called #Pony Express which, in turn, led to appearances in more than 30 other television shows (including #Gunsmoke) and several feature films, including #The Dalton Girls, #Fort Bowie, and #Gunfight at Dodge City. In 1957, a new series called #Have Gun, Will Travel went into production; Western was cast in a small role in one episode, and while working on the show he composed a song about the series' hero, Paladin. The Ballad of Paladin was adopted as the show's closing theme, and Johnny Western was signed to the CBS network's record division, Columbia Records.

He was soon either acting in or singing on the music tracks of several series, including #Pony Express, #Boots and Saddles, #Tales of Wells Fargo, and #Bat Masterson, and his performing and singing careers were suddenly revived. Under Columbia Records producer Don Law (who also produced Johnny Cash), he recorded dozens of sides, including the singles Only the Lonely (1959), Della's Gone (1960), Darling Corey (1961), Gunfighter (1962), and Kathy Come Home, along with an album, Have Gun, Will Travel (1962). He was also asked by Johnny Cash to join his band as a singer/guitarist. He remained a member of Cash's band for six years, playing rhythm guitar on recordings such as Johnny Yuma, The Rebel, The Little Drummer Boy, and Lorena, among many others. During his years at Columbia, Western was also befriended by Marty Robbins, who later participated in Western's recordings of (Ghost) Riders in the Sky and the redone Ballad of Paladin. When he wasn't on tour with Cash, Western was playing shows on his own and working with ex-members of Ernest Tubb's and Porter Wagoner's bands.

At the end of 1963, he left Columbia Records and moved to Philips, where he had a very brief, unsuccessful stay. Johnny Western was a popular draw in Las Vegas, however, and also began making the rounds of Western shows. He continued to record for various labels, including Hep (The Violet The Rose, 1967), and he made the acquaintance of Waylon Jennings, then a songwriter and aspiring country star. He recorded The Streets of Dodge City for the 1970 film #Dodge City, Kansas, and also wrote the music for a documentary film, #Rodeo -- A Matter of Style, released in 1976 as part of the country's Bicentennial celebration. Western also record numerous sides for Johnny Cash's House of Cash label, which became the basis for a retrospective album. During most of this period, he played 200 shows a year. In 1986, he resumed his radio career with a series in Wichita, KS. In 1993, Western began work on a new album, a sort of cowboy super-session, with the Sons of the Pioneers, Rex Allen, Rex Allen, Jr., Red Steagall, and Michael Martin Murphey, entitled Johnny Western and the Sons of the Pioneers and Friends. Health problems intervened, however, when Western was incapacitated by a bypass operation, and the album went unreleased. ~ Bruce Eder, Rovi