Despite his appalling comic timing, muddled delivery, and material that's either clichéd, wildly inappropriate, or both, standup Neil Hamburger nevertheless emerged as one of the most acclaimed and name-checked comedians of his generation. Like Lenny Bruce before him, he became a hipster icon whose trailblazing riffs defied convention at every turn, transcending the confines of hilarity with kamikaze recklessness. Prior to his ascendance, comedians were expected not only to be funny, but insightful as well; Hamburger changed all that forever, in the process earning so much respect from cultural tastemakers that his records appeared exclusively on only the most rarefied indie rock labels. Hamburger's singular comedy stylings were documented on albums like 1996's America's Funnyman, 1999's Left for Dead in Malaysia, and 2002's Laugh Out Lord, while he showed off his gifts as a vocalist on musical projects like 2008's Sings Country Winners and 2018's Still Dwelling.

A native of Culver City, California, Hamburger began his comedy career on the advice of his psychiatrist, who suggested performing as a means of therapy; packing his belongings into a Los Angeles storage locker, he mounted a relentless touring schedule, claiming to play upwards of 360 nights a year yet somehow earning a nagging reputation for last-minute cancellations. Following a gig in Needles, California, Hamburger was approached by manager Art Huckman, a longtime show biz Svengali whose past protégés included Rich Little and the Ritz Brothers; with Huckman at the helm, the comedian's career blossomed, and in 1993 he appeared on the Great Phone Calls compilation. Hamburger's solo debut, the Looking for Laughs EP, followed a year later, and after issuing Bartender, the Laugh's on Me on the tiny Planet Pimp label, he moved to Drag City for his 1996 full-length debut, appropriately titled America's Funnyman.

With 1998's Raw Hamburger, he shifted gears, working "blue" for the first time; ever the restless innovator, Hamburger then turned topical for the follow-up EP, Pays Tribute to Diana, a heartfelt homage to the late People's Princess. Although the constant grind of touring ultimately forced the breakup of the comic's marriage, he forged ahead, expanding his itinerary to include international gigs; for 1999's Left for Dead in Malaysia, he even faced a non-English speaking crowd in Kuala Lumpur. Hamburger remains the iron horse of comedy, touring nonstop and releasing new albums like 2000's Inside Neil Hamburger and 2002's religious comedy LP Laugh Out Lord. The year 2005 saw the release of Great Moments at Di Presa's Pizza House, while 2006 saw him launch the Internet video series Poolside Chats with Neil Hamburger. In 2007 he released Hot February Night, a live album sourced from shows opening for Tenacious D; that same year he joined the cast of the late-night cable television show Tim and Eric Awesome Show, Great Job!

In 2008, Sings Country Winners arrived, doing just what it said on the cover, followed by another standup set, 2012's Incident in Cambridge, Mass., and 2014's First of Dismay, which featured live comedy along with musical numbers, all of them backed by the "Too Good for Neil Hamburger Band." And in 2018, Hamburger expanded his musical horizons with the album Still Dwelling, in which he covered a handful of classic pop tunes with a band that included Mikael Jorgensen of Wilco, D.J. Bonebrake of X, Bar McKinnon of Mr. Bungle, and noted session musicians John Rabbit Bundrick and Probyn Gregory.

In his spare time, Neil Hamburger assumes the alter ego of Gregg Turkington, a musician and actor who ran the independent label Amarillo Records, performed with the bands Caroliner and the Zip Code Rapists, and appeared in the movies Ant-Man, A Futile and Stupid Gesture, and Entertainment. (In the latter film, Turkington stars as "the Comedian," a character who bears no small resemblance to Neil Hamburger.) ~ Jason Ankeny & Mark Deming, Rovi