Arlester Dyke Christian was born in Buffalo, New York, in 1943, and by the mid-'60s was singing and playing bass with the O'Jays backing band, the Blazers. Dyke and some of the other Blazers were stranded in Phoenix when the O'Jays' couldn't afford to bring them back to Buffalo, and the Blazers based themselves in Phoenix, having no means to travel elsewhere. Their Funky Broadway was released on the Phoenix indie Artco in late 1966, and picked up for distribution by the L.A.-based Original Sound label. It became a sizable RB hit (and a small pop one), and may have been the first record to use the word "funky" in the title.
As with James Brown, Dyke the Blazers' records sold far better, and charted much better, with the RB audience than the pop one, which was for the most part unaware of the band. In the late '60s and early '70s, Dyke and the band issued a series of gut-bucket funk singles with scratchy guitar riffs, greasy organ, hoarse vocals, and jazzy horns; all traits that James Brown and his band had developed, admittedly. But Dyke did the style well (right down to issuing several two-part singles), although not with a great deal of variety. For some of his sessions, Dyke recorded in Los Angeles with musicians who would later play in the Watts 103rd Street Band (guitarist Al McKay would later be in Earth, Wind Fire). According to Original Sound producer Art Laboe, most of the singles came from 15-to-20-minute jams that were edited down to a length that could fit on the 45 RPM format.
Dyke the Blazers had Top Ten RB singles with We Got More Soul and Let a Woman Be a Woman -- Let a Man Be a Man in 1969, and smaller sellers with Uhh, You Are My Sunshine, and Runaway People. Dyke Christian, sadly, was fatally shot on the street in Phoenix on March 13, 1971. ~ Richie Unterberger, Rovi