Ricky Dillard was born and raised in Chicago, where he inherited a love for gospel music from his mother and grandmother, and started singing in a church choir at an early age. Dillard soon began directing the youth choir in his church (starting at the age of five), and later the young adult choirs. It was around this time that Dillard came across two specific recordings that inspired him to pursue gospel singing even more zealously: James Cleveland and Aretha Franklin's "Amazing Grace" with the Southern California Community Choir, and one by the Institutional Radio Choir from Brooklyn, New York. Shortly thereafter, Dillard began drawing inspiration from other gospel performers as well, including Dr. Charles G. Hayes, Marvin Yancy, Thomas Whitfield, Bishop Albert Jamison, and the Tribal Mass Choir. Dillard continued to direct choirs locally and was a member of the Thompson Community Singers.
While continuing to study, learn, and perform gospel, Dillard actually began his recording career in secular music. Always interested in advanced and compelling rhythmic charts and arrangements, Dillard was fascinated with the Windy City's house music scene during the mid-'80s. He met and worked with DJ Frankie Knuckles, and collaborated with other notable record producers including Farley Jackmaster Funk on "It's You" in 1987, and "As Always" (1988). He also worked with deep house pioneer Larry Heard, the main producer of Dillard's secular first album, Let the Music Use You, released by Jack Trax in 1989. Gospel remained Dillard's heart level passion though. He was drawn to the recording studio and production techniques as well as the innovative use of break and rhythm tracks that drew him to house in what he later claimed was a somewhat academic exercise: He wanted to know how to record and to bring truly contemporary musical expression into his own brand of gospel.
During the early '90s, Dillard started issuing solo albums -- supported by his New Generation ensemble, later shortened to New G -- that often merged gospel with dance music. These releases included 1991's Grammy-nominated Promise, 1993's A Holy Ghost Take-Over, 1995's Hallelujah, and 1996's Worked It Out. Starting with 2000's No Limit, Dillard's albums regularly peaked within the Top Ten of Billboard's gospel chart. While 2011's Keep Living peaked at number three, 2014's Grammy-nominated Amazing and made the Top 200. Three years later, Ricky Dillard New G delivered Amazing. It topped the Gospel charts and peaked at 28 on the Top 200, and 2017's 10 was their second consecutive gospel number one.
Two years later, Dillard signed to Motown Gospel, drawn by its roster of innovative young and veteran talent. In May 2020, Dillard, NG, and a slew of co-producers issued their label debut, Choirmaster; it peaked at two on the gospel chart. Dillard brought his dance music pedigree out of the closet when he surprise-released Choirmaster: The Chicago House Remixes to streaming in July. Collaborating with singer producer Max Stark, the five-track, 18-minute set resonated with the international DJ set as well as gospel fans. ~ Greg Prato, Rovi