Born in the coastal town of Lyttelton and raised in a Maori household on an eclectic musical diet that included the Beatles, PJ Harvey, Townes Van Zandt, Mozart, Gram Parsons, Echo the Bunnymen, Elvis, and the Band, Williams studied classical music at the University of Canterbury. However, the rigidity of the curriculum proved too restricting, prompting Williams to look elsewhere for a way to flex his creative muscles. After honing his skills at bars and pubs with his band the Unfaithful Ways, who became a notable draw and issued a pair of well-received records, Williams relocated to Australia to take advantage of the fertile Melbourne music scene -- the brutal earthquake that rocked Christchurch in 2011 also played a part in his decision to change locales. In 2012 he released Sad But True, Vol. 1, the first of three award-winning collaborations with popular Kiwi country singer Delaney Davidson -- Vol. 2 and Vol. 3 were issued in 2013 and 2014, respectively.
Williams' eponymous solo debut dropped in 2015 and debuted at number ten on the New Zealand albums chart. The critically acclaimed LP was released internationally the following year on Dead Oceans Records. In early February 2018, Williams issued the single "Come to Me" in anticipation of the release of his sophomore full-length effort, Make Way for Love, which arrived later that month. The LP dealt with the aftermath of his breakup with fellow Kiwi singer/songwriter Aldous Harding, and soared straight to the top of the New Zealand albums chart. The following year saw Williams issue his first concert album, Live at Auckland Town Hall. He found kindred spirits in the Canadian contemporary folk duo Kacy Clayton and teamed up with them to record a collaborative album, 2020's Plastic Bouquet. After a 2021 collaboration with Lorde on Bruce Springsteen's "Tougher Than the Rest," Williams offered up another cover, this time of Jerry Jeff Walker's folk classic "Mr. Bojangles" for the 2022 French film En attendant Bojangles. His return to original music came later in the year with the release of My Boy, his third proper solo album. The pop-driven set explored themes of masculinity, vitality, and social and cultural legacies. ~ James Christopher Monger, Rovi