Raised in Bahia's hinterlands, Moraes Moreira approached the violão (acoustic guitar), influenced by Roberto Carlos. At 19, he moved to Salvado, BA, where he frequented classes at the Seminário de Música da Bahia. He then joined the vocal quartet Canto Quatro, a MPB-4 clone who accompanied Dorival Caymmi. He took some music classes with Tom Zé and discovered his craze for the trios-elétricos. In the boarding house where he lived in Salvador, he became acquainted with Paulinho Boca de Cantor and Luís Galvão, with whom he would form Os Novos Baianos in 1968. In 1975, he left the group for his solo career. In 1976, he joined the historic Trio Elétrico de Dodô e Osmar (the first of Bahia), who still had a novice (but already virtuosic) mandolinist, Armandinho. Moreira had huge success with that project, which led him to write frevos and sambas for the group, becoming a prominent fighter in the cause of the Bahian Carnival. He produced two LPs with the Trio Elétrico, the last one being É a Massa. Pombo Correio, released in 1978, reached the national hit parade. In 1983, he developed his Projeto Brasil, a series of shows through all of Brazil's capitals that explored the rich folklore of the Carnival of Bahia. ~ Alvaro Neder, Rovi