For much too long, the legend of Long John Hunter was largely a local one, limited to the bordertown region between El Paso, Texas and Juarez, Mexico. That's where the guitarist reigned for 13 years (beginning in 1957) at Juarez's infamous Lobby Bar. Its riotous, often brawling clientele included locals, cowboys, soldiers from nearby Fort Bliss, frat boys, and every sort of troublemaking tourist in between. Hunter kept 'em all entertained with his outrageous showmanship and slashing guitar riffs.

The Louisiana native got a late start on his musical career. When he was 22 and toiling away in a Beaumont, Texas box factory, he attended a B.B. King show and was instantly transfixed. The next day, he bought a guitar. A year later, he was starring at the same bar that B.B. had headlined. Hunter's 1954 debut single for Don Robey's Houston-based Duke label, She Used to Be My Woman/Crazy Baby, preceded his move to El Paso in 1957. Along the way, Phillip Walker and Lonnie Brooks both picked up on his licks. But Hunter's recording output was slim -- a few hot but obscure singles waxed from 1961 to 1963 for the tiny Yucca logo out of Alamogordo, New Mexico (standouts include El Paso Rock, Midnight Stroll, and Border Town Blues). Perhaps he was just too busy -- he held court at the Lobby seven nights a week from sundown to sunup.

Fortunately, Hunter's reputation eventually outgrew the Lone Star State. His 1992 set for the Spindletop imprint, Ride with Me, got the ball rolling. A pair of albums released later in the decade for Alligator, Border Town Legend (1996) and Swinging from the Rafters (1997), exposed the Texas blues great to a wider (if not wilder) audience than before. The following decade, Hunter didn't record quite as often, but 2003's One Foot in Texas (made with his brother Tom) and 2009's Looking for a Party (issued on Blues Express) were both notable additions to his discography. ~ Bill Dahl, Rovi