In 1914, he headed to Chicago, looking to get in on the town's growing enthusiasm for New Orleans jazz. He had his own group moving around one prominent theater circuit, backing up vocalist Mabel Lee Lane. Other Chicago affiliations included Manuel Perez, Freddie Keppard, and finally the great King Oliver. The latter bandleader kicked off the roaring '20s by exploring the west coast -- Garland stayed put out there and went to work with Kid Ory, with whom he would continue gigging off and on over the next decade. There were also engagements with Jelly Roll Morton in Los Angeles. Garland jumped over to the combo of Andrew Blakeney in the mid-'50s but was also working with the great pianist and bandleader Earl Hines in San Francisco around the same period.
The bassist continued to be a prominent part of the west coast traditional jazz scene, the amount of work growing with the Dixieland fad of the '60s. At this point, listeners could regularly catch Garland in the bands of Turk Murphy or Joe Darensbourg at venues in both San Francisco and Los Angeles. Blakeney also continued to be a collaborator and the bassist can be seen onscreen in that leader's band in the 1966 melodrama Hotel. The Young Men of New Orleans band included the bassist in its 1969 lineup, and two years later, Garland returned to his hometown to perform at the jazz festival. Garland toured internationally with the Legends of Jazz throughout the '70s. ~ Eugene Chadbourne, Rovi