However, much of Samworth's most noteworthy work has been with the aforementioned Talking Pictures quartet which, in addition to Samworth, includes cellist Peggy Lee, trumpeter Bill Clark, and drummer Dylan van der Schyff. The group's two CDs on the Red Toucan label, Ciao Bella (1995) and The Mirror with a Memory (1997), feature material mainly written by Samworth or improvised collectively by the quartet, with occasional pieces by other band members and interpretations of works by Ornette Coleman and Robin Holcomb. Stylistically, there are strong parallels between the music of Talking Pictures and the avant forays of the so-called New York downtown scene: tight, angular unison passages interspersed with improvisations that emphasize textural exploration and group interplay -- indeed, even the instrumentation (sans bass) recalls groups like Dave Douglas' Tiny Bell Trio and Myra Melford's the Same River, Twice. (Creative musicians from Vancouver and Seattle, two cities in close geographic proximity, often seem to be influenced by the same muse, and many young Seattle improvisers -- like guitarist Brad Shepik, who Samworth met at Banff -- headed East to become members of a core group of New York downtowners.) A third Talking Pictures CD, Humming, was issued on the Vancouver Songlines label in 2000; this CD was a joint release of the quartet and Dutch saxophonist Jorrit Dijkstra, credited with writing all the CD's compositions.
In the late '90s and as the new millennium began, Samworth could increasingly be heard on recordings as a sideman, appearing on albums by the Hard Rubber Orchestra, François Houle, and George Lewis. However, he continued involvement with Talking Pictures in a new capacity -- as artistic director of the Barking Sphinx Performance Society, which produces multi-disciplinary dance, theater, spoken word, and film projects with Talking Pictures as the core musical ensemble. (Samworth's interest in such multi-disciplinary projects is also demonstrated by his history of involvement with Vancouver's Ruby Slippers Theatre and EDAM -- Experimental Dance and Music.) In 2001, the Barking Sphinx Performance Society helped launch a purely musical venture for Samworth named, appropriately enough, the Barking Sphinx Ensemble, featuring Samworth, van der Schyff, and saxophonist Masa Anzai, a member of Vancouver's new generation of improvising musicians. ~ Dave Lynch, Rovi