Story was named after jazz saxophonist Dexter Gordon and raised in a household where music was pervasive. He began taking music theory, guitar, and piano lessons at an early age, and was fronting local Los Angeles bands and playing clubs by age 14.
After earning an undergraduate degree at UC Berkeley where he performed with a distinctive array of musicians --Wynton Marsalis, Ravi Coltrane, Ernie Watts, John Stubblefield, Slide Hampton, Jeff Narell, and Eric Reed among them -- Story worked in various facets of the music industry. He served as marketing director at Priority, Def Jam, and Bad Boy Records, and was a talent buyer for the legendary L.A. club Temple Bar.
Story's earliest documented recorded appearance is as a backing vocalist on Dwight Trible's Living Water album in 2004. A year later, as a founding member of the Life Force Trio, he played several instruments, produced, and sang on tracks from the jazz singer's Love Is the Answer set, issued by Ninja Tune. Life Force Trio -- whose other members include Carlos Niño and Andres Renteria -- issued Living Room on Plug Research in 2006. Story also contributed to Niño's and Miguel Atwood-Ferguson's classic Fill the Heart Shaped Cup from 2007.
Story regularly collaborates with Niño, not only in the Life Force Trio, but in the multi-generational, poly-cultural jazz and soul group Build an Ark (which also includes Atwood-Ferguson, Trible, and trombonist Phil Ranelin). Life Force Trio has toured, performed, and/or recorded with Sa-Ra, Madlib, Mark de Clive-Lowe, AmmonContact, Rumer Willis, Kamasi Washington, Gaslamp Killer, Nick Rosen, and Kelis, to name a few.
Story guested as a drummer in Todd Simons' Ethio Cali ensemble in 2011, and later became their arranger. It was there that he fell in love with Ethiopian music, though he'd been studying various forms of the continent's folk, pop, funk, and jazz styles for decades.
Story's solo debut, the spiritual soul album Seasons, was released in February of 2013 on Kindred Spirits. Its guest vocalists included Gaby Hernandez, Waberi, Jimetta Rose Smith, Nichelle Monroe, i_Ced, and Erik Rico.
The singer and songwriter began exploring East African and Caribbean themes in tunes he was composing (one a day) for a year. After serving as music director for the 2014 Wattstax Revisited concert, he signed to Miles Cleret's Soundway label and began working on a follow-up album with Niño as a co-producer. The finished product, Wondem, was deeply influenced by East Africa, albeit through a Californian's sonic worldview. Story's musical guests included Clive-Lowe, Atwood-Ferguson, Yared Teshale, Damon Aaron, drummer Te'Amir Sweeney, and many more. The album was released in late October 2015. Following international acclaim for the release and claiming the name "Wondem" as one of his recording and performing identities, Story dropped the Wejene Aola single, featuring an appearance by Washington on the title cut and vocalist Nia Andrews on "Eastern Prayer." Two months later he issued the digital-only offering Wondem Remixed. While he and co-producer Carlos Nino delivered their own revision of the track "Lalibela," other contributing producers included Ras G Afrikan Space Program, Todd Simons, Te'Amir Sweeney, Jeremy Sole, and others. In 2017, he produced Cubafonia by Cuban vocalist, composer, and arranger Daymé Arocena for Gilles Peterson's Brownswood and, with Washington as a guest, issued a cover of "Wejene Aola," the classic Ethio-jazz tune by Oromo singer Tlahoun Gèssèssè in 1970. If Wondem was a glance into Story's globally expansive creative vision, its follow-up, 2019's Bahir co-produced with Nino, offered a focused refinement of his efforts fine-tuning and expanding the soundworld he created on the previous album. On the latter he enlisted an international cast of musicians. While his Los Angeles contemporaries were featured throughout, namely Miguel Atwood-Ferguson and Josef Leimberg, he also recruited fellow Angeleno vocalist and violinist Sudan Archives (Brittney Parks), Ethiopian producer Endeguena Mulu, and singer Hamelmal Abate in a set that explored North Sudanese shaygiya dance rhythms, Afro-funk, Somali soul, and forays in a program that melded it all into more contemporary global rhythms. Bahir was issued by Soundway in the late winter of 2019. ~ Thom Jurek, Rovi